Showing posts with label Tom Wolfe. Show all posts
Showing posts with label Tom Wolfe. Show all posts

Sunday, March 13, 2011

"'We call them pigs, and rightly so,' says Don Cox, 'because they have the way of making the victim look like the criminal, and the criminal look like the victim."

Wrote Tom Wolfe in "Radical Chic: That Party at Lenny's" (1970):
"So every Panther must be ready to defend himself. That was handed down by our Minister of Defense, Huey P. Newton: Everybody who does not have the means to defend himself in his home, or if he does have the means and he does not defend himself—we expel that man... see... As our Minister of Defense, Huey P. Newton, says, ‘Any unarmed people are slaves, or are slaves in the real meaning of the word’ . . . We recognize that this country is the most oppressive country in the world, maybe in the history of the world. The pigs have the weapons and they are ready to use them on the people, and we recognize this as being very bad. They are ready to commit genocide against those who stand up against them, and we recognize this as being very bad...."
Today's NYT has his obituary:
Donald L. Cox, who was at the center of black radical politics as a member of the Black Panther Party high command and who earned a moment of celebrity in 1970 when he spoke at the Leonard Bernstein fund-raising party in Manhattan made notorious by the writer Tom Wolfe, died on Feb. 19 at his home in Camps-sur-l’Agly, France. He was 74.

Saturday, June 7, 2008

What year was it?

My history blogging continues. Before clicking, see if you know the year.

"Boston Corset Maker Says Women Have Grown Stouter" — and the the 21-inch waist is a thing of the past.

The Chief Justice spoke of Lincoln's "Christ-like character," but the President said Lincoln was a "natural human being with the frailties mixed with the virtues of humanity" — as the Lincoln Memorial was dedicated today.

Mrs. A.N. George of the National Association Opposed to Woman Suffrage is offended by the reference to "the tactics of the pole-cat when badly frightened" that appeared in a resolution by the New England Woman Suffrage Association.

Sir Arthur Conan Doyles visits New York and opines on Coney Island, suffragists, plumage laws, and skyscrapers.

Why hasn't the Women's Party put up a female candidate for President?

"Every man turned into a devil. We ran fighting and clawing and scratching and swearing for the ladder leading up to the deck. We found the hatches battened down. Great God, how the men did curse!" A terrible ship fire.

The NYT tries to explain the physics of "Young Professor Heisenberg," and Lady Grace Drummond-Hay talks to General Hermann Wilhelm Goering.

Tom Wolfe "suggested that intellectuals are attracted to socialism because it seems in 'good taste"" and it has the '''secret promise' ... that intellectuals will wind up with power."

The NYT wonders why it is that the 12 greatest women alive in the United States today are all childless.

Tuesday, January 15, 2008

"What we have here is worthy of a Tom Wolfe novel: the bonfire of the multicultural vanities."

Writes David Brooks:
The Clintons are hitting Obama with everything they’ve got. The Obama subordinates are twisting every critique into a racial outrage in an effort to make all criticism morally off-limits....
Ha ha. Exactly. Are you deeply troubled that such serious matters should be so rudely politicized, or are you laughing at the farce?

Meanwhile, the 2 campaigns have supposedly called a truce with respect to any dispute over Martin Luther King. Does that mean race won't be a point of contention anymore or are we just seeing Obama showing off his graciousness while reminding us of Mrs. Clinton's MLK gaffe once again?

Wednesday, November 28, 2007

"Ready at last to grind into her with the Hound, drive it into her piety."

Norman Mailer wins the Bad Sex in Fiction Award.

The idea of the award is "to draw attention to the crude, tasteless, often perfunctory use of redundant passages of sexual description in the modern novel, and to discourage it." But I do think they confuse good writing about bad sex with bad writing. Mailer was writing about Adolf Hitler, so he must have meant the act to seem ugly. This conflation of bad sex and bad writing was really obvious in 2004 when they gave the award to Tom Wolfe a passage in "I Am Charlotte Simmons":
Wolfe's third novel is set in an imaginary elite Ivy League university and is seen through the eyes of his eponymous heroine - a shy, virginal country girl who is initially shocked by the decadence and excess she encounters. Wolfe spent four years roaming the campuses of America's top universities researching the novel and claimed in a Guardian interview that "I have tried to make the sex un-erotic. I will have failed if anyone gets the least bit excited. So much of modern sex is un-erotic, if erotic means flight of fancy or romantic build-up."
I've read that book, and Wolfe did exactly what he says he meant to do.

Nevertheless, bad sex or bad writing, the chosen passages are quite hilarious.

Thursday, June 7, 2007

"American life was becoming so surreal, so stupefying, so maddening, that it had ceased to be a manageable subject for novelists..."

So thought Philip Roth in 1960 -- as reported in a 1997 NYT review of "American Pastoral." (TimesSelect link.)
He argued that real life, the life out of newspaper headlines, was outdoing the imagination of novelists, and that fiction writers were in fact abandoning the effort to grapple with ''the grander social and political phenomena of our times'' and were turning instead ''to the construction of wholly imaginary worlds, and to a celebration of the self.''

These remarks -- made even before John F. Kennedy's assassination and the social upheavals of the 60's magnified the surreal quotient of American life -- help illuminate what Tom Wolfe identified (with considerable self-serving hyperbole) in the late 80's as a retreat from realism. They also help explain the direction that Mr. Roth's own fiction has taken over the last three and a half decades, his long obsession with alter egos and mirror games and the transactions between life and art.