Things that didn't meet the Huffington Post standards.

"$100,000 For Glenn Beck's Sex Tape" gets attention via Memeorandum,  but HuffPo has deleted it.

Newsbusters calls attention to the writer's bio:

Beau Friedlander is a writer living in Brooklyn. He was the editor-in-chief of Air America until it closed in 2010...

And yet people wonder why Air America didn't cut it.

The end of "Air America" in Madison.

I'd say: if they can't make it here, they can't make it anywhere.

Mike Malloy reading long passages from Orwell's "1984" was not mentioned by anyone as something they'll miss should Air America programming be dropped from WXXM/FM 92.1 "The Mic."

The station is set to switch to sports programming on Jan. 1. We asked readers what they will miss about The Mic if the switch is a done deal, and quite a few responded. Some responses were edited for space and clarity:

• Karl Marx observed, accurately, I believe, that in every age the ruling ideas are the ideas of the ruling classes. It follows that any other ideas will be dismissed by, for example, the owners of the broadcast media as "unpopular," whether or not they are shared by two persons or by 200 million.

For all its flaws, a progressive radio format such as the one that WXXM/FM will abandon on New Year's Day demonstrates the powerfully subversive fact that ideas about getting out of Iraq now, creating a single-payer health care system, adopting instant runoff voting, etc., are not at all unpopular. I will miss Madison's part in creating that progressive national sensibility and that the soon-to-be absent voices do it so entertainingly. (Alan Bickley, Madison)....

So... sort of like... it's unpopular because it's popular? Or is it the other way around? Maybe if I read more Marx (and less Orwell) that would make more sense to me.

Moving on:

• With the loss of 92.1, the progressive voice in Madison will again be silenced (well, except for WHA, WERN, WORT, WTDY, the Progressive, Isthmus, the editorial page of The Capital Times and most of the editorial page of the Wisconsin State Journal, but you know what I mean).

I listen because nowhere else can you find such raw, spittle-flecked emotionalism combined with such robust disinterest in facts. (Dale Aldridge, Madison)

Okay. I'm going to stop while I'm amused. More opinion from the locals at the link.

"They were not a broadcasting concern to begin with. ... They went into business to affect elections."

Gloats Rush Limbaugh, as Air America files for bankruptcy. The implication is that his show is "a broadcasting concern," but you've got to wonder: How is his show less about affecting elections than "Air America"?

I like the idea that listeners can tell what the radio guy is up to. We're sensitive to the voice. We can tell when what the speaker wants is to tell you to get in line politically. (I feel the same way about blogging.)

I'm not a big listener of either Limbaugh or Al Franken, but, driving in my car, I've spent some time with both of them.

I think Limbaugh clearly and constantly is trying to get you to agree with his opinions, but he's got a joy in the moment that captures the listener. You know, I am the same age as Limbaugh -- we were actually born on the same day -- and I get the distinct sense that he was influenced by the two great, great radio guys that I listened to every day back in the 60s: Jean Shepherd and Cousin Brucie. These were not political broadcasters as all, just extremely entertaining radio voices.

Al Franken, being a comedian, ought to bring entertainment value to his radio show, but I never got the feeling that he was into the moment, that he had a sense of what it means to be a voice on the radio. He always sounds exasperated, like he's dragged himself to the studio and it's a tough job but somebody's got to do it. Why, oh, why, don't people get it yet? How many times do I have to tell you...

On the radio.

For some reason, driving from Cleveland to Ithaca today, I felt like listening to talk radio, and I just kept switching back and forth between America Right and Air America -- occasionally mixing in The Power.

America Right was, understandably, fixated on the Newsweek story, but there was very little about it on Air America. Disturbingly, the only attempt at humor I heard from Al Franken in the hour or so I spent with him today was a joke that Donald Rumsfeld had ordered that a Bible and a Talmud be flushed down the toilet, along with an Encyclopedia Britannica "for the reality-based" people.

Franken's show was nearly humor free -- entirely humor free if you don't count bad jokes. It was grim indeed. Some of the things he said were truly awful. Within the space of perhaps half an hour, he said that George Bush could have prevented the 9/11 attacks if he had "paid attention" -- it's in the 9/11 report! -- and that Iraq would be better off if Saddam were still in power -- not merely that on balance, the improvement of having him out is not worth the cost, but that the Iraqis were better off with Saddam.

Painful. Just painful.

"Left of the Dial."

Last night, I watched that new HBO documentary about Air America called "Left of the Dial." That is, I watched a lot of it, fell asleep, and woke up during the closing credits. I don't think I fell asleep solely because it was boring, but it was awfully boring. The various radio characters who were the subject of the film never lost their awareness of the camera, so there were no revealing moments. I got really tired of seeing them rushing through hallways and essentially saying "ooh, I'm so nervous" over and over again. Maybe the end segment that I missed was better, and I'll finish watching the movie very soon and do an update. My favorite movies are documentaries -- check my profile -- but HBO does a lot of documentaries that are slapped together from scant footage, with no attention to artistic technique, as if what the movie is about is all that matters.

UPDATE: I tried to finish watching this, but couldn't. More rushing around. Is this going to work? I'm supposed to care because, what, these people are feisty underdogs? It seems to me that they are very successful comedians, yet they never say anything funny in the movie. People launching a business and hot to succeed are not fun to watch, unless there's something quirkily charming about them. I'd rather watch these guys.

"What am I going to do, just ramble on and on"?

So said the panicked Janeane Garafolo in the struggling early days of Air America, according to Drudge's account of the HBO documentary, which is scheduled to air on March 31st. I can't wait to see it.

UPDATE: Sorry, that quote was from Marc Maron. Janeane Garofalo just "looks suicidal in nearly ever scene which she appears." I like the quote, by the way, because it expresses what I imagine probably every radio show host thinks.